
Rack sampler
Akai S900
A 12-bit sampler with punch in its heart. It helped shape classic hip-hop, house and electronic music—and still makes every drum feel important.
These are the real vintage instruments at the heart of the first libraries, plus a wider studio cast now drawn as characters. Each illustrated machine is genuinely played, recorded, and shaped by hand — the value comes from the sound design and experimentation, not from archiving factory presets. Technical notes and video still arrive later. Nothing here is a product, a price, or a release date.
Eighteen character masters across the artwork batches, shown in full. Names match the machines they depict.

Rack sampler
A 12-bit sampler with punch in its heart. It helped shape classic hip-hop, house and electronic music—and still makes every drum feel important.

Sampler-synth
A keyboard cousin of the mighty SP-1200, with 12-bit sampling and warm analog filters. Big, strange and ready to turn any sound into an instrument.

Rack sampler
Akai’s first sampler makes sound-mangling a live performance. Move its sliders while it plays and one tiny recording becomes a loop, a rhythm or a beautiful mistake.

Sampler rack
A giant of ’90s drum & bass, built for chopping breaks and building enormous bass. Its Z-plane filters can make any sample twist, move and growl.

Hybrid synth
Three crunchy 8-bit oscillators meet warm analog filters and an eight-track sequencer. Gritty, expressive and always ready to turn one idea into a song.

Keyboard synth
The ESQ idea grows sharper, stranger and more alive. Its famous drum waves can become beats, basses or something nobody has named yet.

Synth module
A quiet hybrid treasure with digital waves and beautiful analog filters. Cold bells, dark pads and bass with real weight.

Drum machine
A little 12-bit drum machine that can switch patterns and throw in fills while it plays. Our WavRex cards give it sounds it could never have dreamed of in 1987.

Synth module
Digital waves, growling analog filters and a wonderfully unruly delay. Sleek on the outside, much stranger underneath.

Sampling keyboard
Ensoniq’s first product helped bring sampling to ordinary musicians. Eight-bit sampling, analog filters and just enough difficulty to make every sound feel earned.

Polyphonic synth
Two lush analog synthesizers living inside one elegant instrument. Twelve voices and slow-moving pads and leads big enough to fill a room.

Sampler rack
A tiny rack sampler with only seconds to remember. Its 12-bit voice turns drums, bass notes and fragments into solid little musical objects.

Digital piano
Roland’s first RD used a new kind of synthesis to dream up a piano. Grand, glassy and unmistakably its own—gospel loved it too.

Sampling keyboard
A friendly 12-bit sampler hiding a wonderfully strange arpeggiator. It can climb, fall, wander randomly or follow another rhythm into trouble.

Sampling keyboard
Hi-fi in 1986, beautifully lo-fi now. Give it a monitor, tablet and pencil and it can draw its own waveforms—then turn them into enormous bass.

Vocoder
Our king of vocoders. Plug in the microphone, move its eleven little sliders and let the rack begin to sing.

Rhythm machine
A drum machine that can twist a single hit into a crazy synth effect. Our special cards let it perform the same magic on our own sounds.

FM synth rack
Eight complete FM synthesizers living in one enormous rack. One note can become a choir of shimmer, thunder and impossible electric detail.